THE OTHER

Relationality and resonance

THE OTHER, the foreign and also the other person. The gaze that locates one's own position and evaluates the relation. Self-assurance secures the works in the exhibition and their place in the network of relationships. It is also the view of the other side, the unfathomable and hidden, the unknown and the different.

What connects the artists' positions?

The OTHER refers to the foreign, the unknown, and the different.
This theme encourages us to reflect on our perception and relationship to everything that does not correspond to ourselves. In our world, which is often characterized by sameness and conformity, it is essential to recognize and accept the other.
While the other can be scary and challenging, it is also an opportunity to see anew, learn and grow, open up to it, overcome prejudices, and broaden perspectives.

How can I explore the relationship between the works and recognize the connections between the works and levels of space?

Is resonance the solution to the problem of the acceleration of the world? Are resources, options, and moments of happiness the currency for quality of life? Or is Hartmut Rosa right when he focuses on the RELATIONSHIP to the world and the disruption of this relationship by the logic of modernity? And the factors that make it possible for the resonance axes to vibrate.

How does the pursuit of happiness manifest itself?

The uniqueness of a person and artist manifests itself in the diversity of their experiences and perspectives. In a world characterized by diversity, the style becomes an individual expression of this diversity.
Style is the most important - understated - criterion of quality.
Of course, all the works on display here have style.